Paul Spring is a songwriter and guitarist whose music blends indie folk, chamber pop, classical, and experimental influences into something unmistakably his own. His songs are rich with character, curiosity, and melody, balancing thoughtful storytelling with adventurous arrangements that have earned praise from The Irish Times, MPR, and Aquarium Drunkard.
His newest album, Dumb and Free (out November 11, 2025), grew from a burst of writing inspired by the people and places of his hometown of Saint Cloud, Minnesota. After developing the songs during a winter residency at Sunny's Bar in Brooklyn, Paul recorded them with an extraordinary group of musicians, including Nick Hakim, Jon Nellen, Adam Brisbin, and Kevin Copeland. The project follows a remarkably diverse run of releases, from intimate folk records and intricate Bach-inspired guitar works to Vita Brevis, an album of original songs written entirely in Classical Latin.
Before launching his solo career, Paul was the lead singer and songwriter of Holy Hive. He's also collaborated with artists including Post Malone, Fleet Foxes, Black Thought, El Michels Affair, Kenny Beats, Vic Mensa, Sofia Valdes, Kirby, and Lecrae, and is a GRAMMY-winning instrumentalist. Whether recording ambitious new albums or paddling hundreds of miles by canoe to support them, Paul approaches music with a rare combination of imagination, craft, and genuine sense of adventure.
Halfway between refined alternative folk, jazz spontaneity, and experimental songwriting, "The Saint" is the debut album of Nic T, a musician from Vicenza.
Museum Legs is a Providence, Rhode Island-based indie, folk-blues duo formed by Penn Sultan (of Last Good Tooth) and MorganEve Swain (of Brown Bird, The Devil Makes Three). Their stripped-down, melody-driven sound features harmonizing vocals over ebbing acoustic guitars and viola.
Their music draws heavily on traditional folk and blues, with a strong focus on narrative storytelling and a minimalist, mid-tempo feel. The duo released their album In All For Starting Over, showcasing their distinctive counteracting vocal deliveries—Sultan's lower register complementing Swain's higher pitch.